Dave Yeubanks and the

Ecobyte
Collective

Songs written, played and sung by a human.
Realized with a machine that never asks for a cut.

01 — Discography

Six records, one heart

Every one of them started the same way: a chord worked out on a real guitar or a real piano, a melody sung into a real microphone, and a lyric that meant something before anything was ever rendered.

The Breath Between Worlds album cover Latest

The Breath Between Worlds

2026 · Celtic worldbeat · ambient · ethno-electronica · 29 tracks

Six Strings & Swing Sets album cover

Six Strings & Swing Sets

2025 · Rock and roll that remembers the 1920s

When Sunday Comes album cover

When Sunday Comes

2025 · Hymns for the morning after the week

Echoes of Gratitude album cover

Echoes of Gratitude

2025 · Smooth jazz and electronic reimaginings of Gratitude

Digital Psalms album cover

Digital Psalms

Harmonies of the Algorithmic Soul

02 — Manifesto

The audience comes last

Rick Rubin, in his book The Creative Act: A Way of Being, talked about his belief that "the audience comes last." He said he doesn't make music for the masses, but for himself — and that when someone makes music truly for themselves, because they love to do it and not merely for some prospect of profiting by it, they are essentially engaging in a devotional act, often described as an offering to God. In doing so, this inadvertently ends up being the best gift one could give the audience.

Today's world — and especially the music business — is full of people making music for money. I'm not saying it's wrong to profit by sharing a creative talent, but if that's the main focus, it's likely, in my opinion, that the focus will drive the content, and that content will often become lifeless and boring.

I don't care if AI tools are used in the process of making music. I rather care that music is made in the process of using AI.

Does that make sense? While it might be "cool" to profit by the artistic presentation, I personally am far less motivated by any such hope. I love music, and I enjoy making music.

From the first drum I banged on as a kid, the first guitar string I plucked, the first piano I worked out chords and choruses on, the first digital workstation I sequenced sounds and tracks on, and the first Suno track I put together by uploading songs I wrote myself, sung, or played the guitar to set the melody — it's all the same to me, because it flows from my heart.

"The world doesn't need Christian music as much as it needs Christians making music."

— an artist from the Jesus People era of the 70s

This is a similar line of thought to what I am trying to express, because my faith also motivates what I do — it flows from the joy and truth of my relationship with my Creator. But I have no interest in trying to fit into an "industry." I just want to be a part of making music that makes me smile, honors God, and promotes joy for others.

— David Yeubanks

03 — Personnel

Who's actually in the band

A fair question, and one worth answering plainly.

David Yeubanks

Songs · guitars · keys · vocals · arrangement · final say

Writes it, plays it, sings it, decides when it's done.

The Collective

Everything else

Has never missed a downbeat, never asked for a cut, and has never once written a song.

04 — Listen

Put it on

Streaming everywhere, distributed through DistroKid as Dave Yeubanks and the Ecobyte Collective.

Also on Apple Music, Amazon Music and everywhere else DistroKid reaches.
More of Dave's music: YouTube · Facebook